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Northport

Wednesday, December 7th, 2022

by James Roderick Burns
(This is part III. Read Northport from the beginning.)

I, Too, Am Cone

I HADN’T RETURNED to the Island in years, but when she called from beside the harbour, it all came back: strip-malls petering out into scrubland, roads without pavements, bottomless coffee and bagels piled high with green-olive cream cheese.  I heard boat-lines clinking, a plaintive gull’s call, and smiled.

‘Hello,’ she said.  ‘This is your wife.’

I looked at the phone.  I’m not in the habit of taking calls from that many consumer-protection lawyers with funny accents, especially ones who regard themselves as the lone American in a sea of sixty-seven million foreigners, so I waited.  ‘I’m by the harbour.  He’s – he’s gone, Michael.  I had to get out, take a walk, you know.  So I’m just wandering around.’

It was sad, but not unexpected.  Her father had been ailing for years, slipping away for weeks and at death’s door the day she flew back.  She wasn’t cold, exactly, but practical: a bundle of intertwined instincts from which a personality peeped, occasionally, like a seal breaking the surface.  Then she could be funny.  On our first date she dragged me half the length of Manhattan, repeatedly claiming it was only another block to the station.  A block is knocking on for a thousand feet.

‘Anna – I’m sorry.  What can I do?’

‘Nothing.  Just call later.  Broadband’s still on.  I’ll talk to you then.’  I went back to my screen with a hollow heart.  A bit of work might sort it out,  but this time the magic of transport planning failed to do the trick.

When I got to America, I could hardly wait to engage with my peers at the University of Bony Creek.  I’d studied the rise of suburbia – Levittown, the ubiquity of car culture – and rather than adding to some stack of dusty monographs, wanted to do something about it.  Missing pavements, for starters.  Instead I was met with five years’ worth of blank stares.

Still, there was Anna.  On our second date I took her to the graduate dorm.  She stood goggling at the squalor.  One of the math-nerds in the suite had punched a hole through the sheet-rock wall, taped up the Taj Mahal in fond hopes of avoiding a thousand-dollar fine.

How much does this cost you?’

A week later, we’d pooled our resources and moved to Huntington.

Now I imagined her up the road in Northport, where her dad had lived, picking up cleaning supplies and calling her sister.  None of it made things any better.

I walked over to the traffic department.  We’d been working on metered access to a new roundabout by the distribution centre, and Tommy was at the controls for this evening’s night-coning festivities.

‘Hey,’ I said, ogling his bank of screens.  ‘All good to go?’

Without turning round he curled a finger around the joystick, clicked a button.  Every monitor wheeled round into a single giant image of the unfinished roundabout, now the sole focus of Tommy’s massive compound eye.  Though littered with breeze-blocks and chunks of discarded kerbing, it still looked magnificent – clean as some undiscovered island laid bare by a storm.

‘Course.  Unlike you blueprint-monkeys, we work for a living.’

Tommy liked to affect a gruff exterior, but at heart he was a marshmallow – taking his mother to the theatre, baking his flatmates little cakes.

‘So what can I do you for?’

‘Oh nothing, really.  The old man finally slipped away.’

He grimaced and I filled him in.

‘Wanting cheering up, is she?’  I nodded.  ‘Hmm.  Well, keep an ear out.’

The office would be quiet now, so without understanding what he was on about, I headed back.   A couple of hours later she called.  All the earlier hesitation was gone; her voice leapt out of the phone like a tiger bounding through a fiery hoop.

‘So, I finished the family room, started on the den.  That’s the office you know.  Daddy kept his things there, my mom’s stuff.  Clippings.  Evidence.’

I pricked up my ears.  She was on the case, and either furious or thrilled; I’d no idea which.

‘Go on.’

‘So I was looking for the deeds to the house, but I found something else.  An old folder.  It was furry, you know, like somebody had been constantly touching it.  It was bound up in about a million rubber bands that fell apart when I touched them.  Inside – ’

At that moment the incoming call button flashed and my monitor sprang to life.  When I didn’t pick up, an instant message popped into view: Open the link, you cretin.  I clicked on the portal that allowed users with passwords to access our live video-feed.  I watched Tommy’s crew carve the closed roundabout like skaters riding a wall.  They were building something with two rounded top-bumps, a bottom point of orange cones.  The luminous bands shone like teeth in the dark.  How’s that for cheery! a second message said.

‘ – there were newspapers, from the family.  My mother’s father was in there, and not Charles, like we were told.  Not Samuel Charles Goodman.  Samuel Cohen Goodman.  We’re Jewish, Michael.  Jewish!

The shape finally revealed itself on my screen: an enormous, wobbly love heart, light dripping from its curves.  She hated lovehearts and everything they stood for.  I typed furiously into the messenger: Not that!  Anything but that!  Get it changed to something round – a bagel, or something!

‘Remember that guy in the joke who meets the other old guys playing chess, and they all introduce themselves, like Cahn, Coyne, Kane, you know, and the guy bows and says “I, too, am Cohen!”’

She seemed delighted and stunned in equal measure.  I didn’t want to interrupt the moment but felt I had to offer something – some tiny bit of reassurance, a portion of love to complete the circle.  Without waiting to see what they managed to make, I fired off an e-mail with a password, an embedded link.

‘That’s great, Anna!  Listen, can you get to the computer?  I’ve sent you a message – ’






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Northport

Tuesday, December 6th, 2022

by James Roderick Burns

(This is part II. Read Northport from the beginning.)

How Walruses Live

I MET HER in the Walgreen’s by the railroad station.  I had a few minutes to kill before the LIRR delivered my darling Abe from Wall Street, and rather than worrying over how many parlour-car scotches he might have consumed, I decided to browse the manicure section.  I never made it.  She was slumped with her pup beside the flying-elephant ride, crying as though it had swallowed their last nickel then refused to lift off.

‘Are you okay?’

I wasn’t sure how to address her.  ‘Dear’ or ‘honey’ didn’t seem to cut it.  She was quite a bit bigger than me, and though her skin was a nice russet brown, it was criss-crossed with tusk-marks.  Her boy was plump as a chestnut.  Each sob sent a sympathetic wave through the entire wobbly length of him.

She wiped away a tear before answering.

‘I – well, not really, but thank you for asking.’

I nodded.

‘I’m Bonnie.  New in town?’

She nodded back.

‘Just a few days, since my husband Claude hauled out in the harbour.  But where are my manners?’  She sniffed, wiped away another tear.  ‘I’m Lily, and this young man is Edward.  We’re from Nova Scotia.’  The pup poked his head out from beneath her flipper, his mouth a small round hole in a ball of fuzzy whiskers.  He grunted.  ‘We’ll be alright.’

But they weren’t; at least not then.

*

I caught a backhander next day for failing to drive him home.  Abe believes in discipline served cold.

‘Ten bucks taxi fare, Bee.  Ten!  That’s coming out of your housekeeping.  Now get outta my goddamn sight.’

There wasn’t much point prolonging the discussion, so I went back to the kitchen.  He’d drink himself to sleep in his La-Z-Boy soon enough, and I could catch up on my thinking.  The pup had bucked up a bit when I asked if he’d like an ice-cream float from the soda fountain.  We sat on opposite sides of a booth while he sucked it down.  She’d had a chance to fix her make-up, and her cheeks were a bit less shiny.

‘So what brings you down here?’

‘Well, my husband, you know – Claude – he felt the feeding grounds weren’t so great this year, and he’d heard you had nice clams in this part of the world, and so – well, that’s it, really.’  She dipped her head as this little speech went on.  Clams, my ass.

‘So it was his idea?’

She didn’t answer.  Little Edward came up for air with a rather satisfying belch.  She smiled, some missing light making it back into her eyes.  They were huge, pitch black.  I’d have killed for those lashes.

‘Look,’ I said, ‘this might be out of line, but we have a book group in town and you might like to come along, you know – get to know the ladies.’  I wrote down place and time for her on a napkin, not expecting her to show, but next week there she was, Edward in tow, wearing a pink jumper with a little enamel maple-leaf high up near the collar.

‘Come on in.’

I’d got Margie to bring out the biggest couch we had, but winced as she settled in amongst a battery of creaks.  It held, and she smiled around at the ladies as I introduced them.  We were discussing The Old Man and the Sea, and though she didn’t say much, I thought she might have some thoughts on that subject.  I stayed behind a bit, collecting glasses, then took her aside.

‘Glad you came.’

‘Thanks.  I enjoyed meeting your friends.’

I noticed she had a dark patch under one eye, and was holding her left flipper down by her side.

‘You know, there are rules about that kind of thing, nowadays.  They’re even enforced occasionally.’

She looked away, making an ineffectual effort to tidy away the bowls with her good flipper.  I reached over and turned her face back to mine.  It was warm, quivering, and had a curious stiff-bristle feeling along with the heat.

‘Do you want me to help?’

She shook her head.

‘I can’t.  Claude – ’

‘Oh fuck Claude, honey.  This is your life.  And his.’  Edward was chasing Margie’s dog ball through a patch of sunlight.  The floorboards groaned as he leapt and landed.  ‘Listen, you don’t need to do anything.  But let me know where I can reach you.’

She handed me her card and sniffed.

‘Edward,’ she said.  ‘We need to go now.’

As they went out she tried to stop herself looking back, but couldn’t.

*

I saw her now and again over the next few weeks: at the grocery store, the beauty parlour, one time lying in the shadow of the harbour bandstand watching her pup slipping in and out of the water.  I was kind of busy myself, so didn’t stop.  But I thought about her often.  In the end, it came in a phone call.  The timing couldn’t have been better.

‘Bonnie?’

The voice was small, hesitant, but I knew it was her.

‘Lily?  Where are you?’

‘By the harbour.  Edward’s holding the receiver so I can talk.’

There was a moment of confusion and she went away.  The sound of plastic clunking on metal, a series of urgent grunts.  Then she was back.  ‘I’m sorry, he dropped the thing, and – Bonnie?’

‘I’m here.’

‘Can you help us?’

I took a moment myself, taking inventory, and concluded what I’d managed to gather up to then would have to do.

‘Lily, listen – get to the bandstand, right now.  You know where I mean?’

‘How will I – ?’

‘Just be there.’

Twenty minutes later I pulled up in a U-Haul, the biggest truck they had.  I’d squeezed everything that mattered into the space above the cab – look at that, twenty years – and let down the ramp in the shadow of the bandstand.  Two sets of noses and tusks poked out.  I heard a small, timid grunt.

‘Hi,’ I said.  ‘Need a ride?’





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Northport

Monday, December 5th, 2022

by James Roderick Burns


Stranglethorne
(publishing December 5th)
How Walruses Live
(publishing December 6th)
I, Too, Am Cone
(publishing December 7th)



Stranglethorne

I

AS NIGHT FELL, a wind picked up in the harbour.  Fishing-boat lines rattled; gulls went screeching about the lanes.  His errands complete, the vicar of Northport sat warm – if regretful – opposite his friend, the bookseller.

‘Truly, Montague?  Whatever did you do?’

‘I’ve no time for details.’

‘It wouldn’t take long, surely?’

‘Well – one final cup, then.’


II

Reverend Rhodes was vicar of a large but sparsely-inhabited parish overlooking the sound.  Never married, he’d recently acquired a sixteen year old niece, orphaned by consumption, of whom – despite her manifold, bristling energies – he was yet fond.

Must you, Elinore?  There are handfuls of it all over the vicarage.’

‘Oh uncle, don’t be such a bothersome thing!  If I followed your star, my hair would be in the same state as these dreadful bushes!’

She made a series of strokes through her long, dark tresses.  He noticed she still held her head in the carefree manner of girlhood.  There were too few reminders of such times, and he wished to restore to their lives what modicum of stability they had formerly possessed.

She did, however, have a point about the shrubbery.


III

The following day he hunted up Fitzsimmons.

‘Did I not ask you to clip those overhanging – boughs, two weeks since?’

‘You did, sor, yes, and so I did.’  Fitzsimmons tamped tobacco into a wooden pipe rendered dark as basalt by long fingering.  ‘Twas an awful job, if you don’t mind me saying.’

Rhodes stood for a moment stroking the Piccadilly Weepers his niece could not get him to remove.

‘Show me.’


IV

At both ends of the house the growth was thickest, a great hedge looming silently up, beetling over the gables, casting the garden into deep shade.  But neither end had windows, so there he had ordered no work.  Both front and back, however, mighty thorn-bushes encircled the house like wild Indians.

‘Here,’ spat the vicar.  ‘Here, and yet here.’

Fitzsimons nodded, white-faced at each gesture, as though at the salty trumps of doom.

‘Indeed, those were the exact spots, sor, which I pruned!  Half a dozen baskets.  A boy carted them off.  Gave him a nickel from my own pocket.’

Rhodes shook his head in consternation.

‘Told your niece of the work I did, sor.  She was kind enough to fetch me a glass of lemonade.’

‘Elinore?’

Fitzsimons nodded, was dismissed.  Rhodes headed for the drawing-room.


V

‘Elinore!’

It took a few moments for her to appear.  Again, the cursed brush!  He seized it.

‘I wish to speak to you about the bushes.’

‘Yes, Uncle Montague?’

‘You assisted Fitzsimmons.  How went the work?’

‘Oh, marvellously!  He chopped away like some great mechanical apparatus, and seemed so over-heated I was moved to take him a drink.’

‘Yes, but what of the work?  Did he progress – make his way, so to speak, from beginning to end?’

‘Oh, yes.’

‘Then why’ – he pointed at the window – ‘can light barely penetrate these infernal thickets?’

His niece was quiet for a moment.  ‘Well, Uncle, I don’t know.  But I shall find out.  Marcy, down in the hollow, has a relative who knows of such things.’

With a flounce of her skirts she retrieved the brush and left her uncle staring out of the window, a branch tapping now and then by his face.


VI

A few nights later, he heard it once more: a damned and resolute tapping, as of fingers or the head of a walking-stick.  It was quite maddening.  Eventually the vicar rose and stumbled downstairs.  Where normally in summer he would expect the drawing room to be faintly outlined, now there was nothing; not even the humps of furniture, but solely an extent of window giving on the garden.  Behind the panes, like black cloud or clutches of wire, was a mass of thorn-bushes waving in silence.

He shuddered and retreated to bed.


VII

The next morning, Rhodes set out to admonish his man.  But on entering the garden he stopped, amazed.  No thorn-bushes were to be seen.  Both sides of the house were clean as a freshly-shaven cheek.  Stone sparkled in the light; sun picked out thorn-heads in a pruned hedge flat as granite.

From the drawing-room came singing, the sounds of brush-strokes through hair.


VIII

It took some time before he regained his composure, but after ascertaining Elinore had indeed visited the hollow, and was well-disposed for the day, he took to the high-backed chair in his study and extinguished the lamp.  His niece offered to play for him, but was rebuffed.  In the silence and gloom, he endeavoured to understand the conundrum by thoroughly ignoring it.  His sermon for the following Sunday would help this understanding along.

Soon his mind wandered to the sparkle of light out on the sound, an occasional seal braving the harbour, walks through the woods leading to the vicarage.  In no time he was asleep.


IX

At first, he believed a breeze must have disturbed his slumbers.  There came a long, wavering ticklishness about his neck, like the touch of delicate fingers, or the trailing leaves of a weeping willow.  He sat up, but in the gloom was constrained by some manner of soft binding.

Rhodes shook his head (was he still in the grip of a dream?) and managed to grasp his tinder-box.  Fingers that had lit a thousand pipes had the lamp alight in moments, and – ah!  In the rosy effulgence he saw this was no dream!  All around him, over arms and legs, coiled thickly like a serpent’s nest in his lap, was a river of black, writhing hair!  It shone with the dark glister of something unspeakable oozing from a hole, and sensing movement, looped about and laid course for his neck.

But where those vile tresses may have ended he could not say, for Rhodes cried out and fainted dead away.


X

The bookseller started.

‘Did you – learn anything, then, Montague?’

‘I did, sir.  Most assuredly I did.  Never let a witch do a gardener’s work!’





How Walruses Live

I MET HER in the Walgreen’s by the railroad station.  I had a few minutes to kill before the LIRR delivered my darling Abe from Wall Street, and rather than worrying over how many parlour-car scotches he might have consumed, I decided to browse the manicure section.  I never made it.  She was slumped with her pup beside the flying-elephant ride, crying as though it had swallowed their last nickel then refused to lift off.

‘Are you okay?’

I wasn’t sure how to address her.  ‘Dear’ or ‘honey’ didn’t seem to cut it.  She was quite a bit bigger than me, and though her skin was a nice russet brown, it was criss-crossed with tusk-marks.  Her boy was plump as a chestnut.  Each sob sent a sympathetic wave through the entire wobbly length of him.

She wiped away a tear before answering.

‘I – well, not really, but thank you for asking.’

I nodded.

‘I’m Bonnie.  New in town?’

She nodded back.

‘Just a few days, since my husband Claude hauled out in the harbour.  But where are my manners?’  She sniffed, wiped away another tear.  ‘I’m Lily, and this young man is Edward.  We’re from Nova Scotia.’  The pup poked his head out from beneath her flipper, his mouth a small round hole in a ball of fuzzy whiskers.  He grunted.  ‘We’ll be alright.’

But they weren’t; at least not then.

*

I caught a backhander next day for failing to drive him home.  Abe believes in discipline served cold.

‘Ten bucks taxi fare, Bee.  Ten!  That’s coming out of your housekeeping.  Now get outta my goddamn sight.’

There wasn’t much point prolonging the discussion, so I went back to the kitchen.  He’d drink himself to sleep in his La-Z-Boy soon enough, and I could catch up on my thinking.  The pup had bucked up a bit when I asked if he’d like an ice-cream float from the soda fountain.  We sat on opposite sides of a booth while he sucked it down.  She’d had a chance to fix her make-up, and her cheeks were a bit less shiny.

‘So what brings you down here?’

‘Well, my husband, you know – Claude – he felt the feeding grounds weren’t so great this year, and he’d heard you had nice clams in this part of the world, and so – well, that’s it, really.’  She dipped her head as this little speech went on.  Clams, my ass.

‘So it was his idea?’

She didn’t answer.  Little Edward came up for air with a rather satisfying belch.  She smiled, some missing light making it back into her eyes.  They were huge, pitch black.  I’d have killed for those lashes.

‘Look,’ I said, ‘this might be out of line, but we have a book group in town and you might like to come along, you know – get to know the ladies.’  I wrote down place and time for her on a napkin, not expecting her to show, but next week there she was, Edward in tow, wearing a pink jumper with a little enamel maple-leaf high up near the collar.

‘Come on in.’

I’d got Margie to bring out the biggest couch we had, but winced as she settled in amongst a battery of creaks.  It held, and she smiled around at the ladies as I introduced them.  We were discussing The Old Man and the Sea, and though she didn’t say much, I thought she might have some thoughts on that subject.  I stayed behind a bit, collecting glasses, then took her aside.

‘Glad you came.’

‘Thanks.  I enjoyed meeting your friends.’

I noticed she had a dark patch under one eye, and was holding her left flipper down by her side.

‘You know, there are rules about that kind of thing, nowadays.  They’re even enforced occasionally.’

She looked away, making an ineffectual effort to tidy away the bowls with her good flipper.  I reached over and turned her face back to mine.  It was warm, quivering, and had a curious stiff-bristle feeling along with the heat.

‘Do you want me to help?’

She shook her head.

‘I can’t.  Claude – ’

‘Oh fuck Claude, honey.  This is your life.  And his.’  Edward was chasing Margie’s dog ball through a patch of sunlight.  The floorboards groaned as he leapt and landed.  ‘Listen, you don’t need to do anything.  But let me know where I can reach you.’

She handed me her card and sniffed.

‘Edward,’ she said.  ‘We need to go now.’

As they went out she tried to stop herself looking back, but couldn’t.

*

I saw her now and again over the next few weeks: at the grocery store, the beauty parlour, one time lying in the shadow of the harbour bandstand watching her pup slipping in and out of the water.  I was kind of busy myself, so didn’t stop.  But I thought about her often.  In the end, it came in a phone call.  The timing couldn’t have been better.

‘Bonnie?’

The voice was small, hesitant, but I knew it was her.

‘Lily?  Where are you?’

‘By the harbour.  Edward’s holding the receiver so I can talk.’

There was a moment of confusion and she went away.  The sound of plastic clunking on metal, a series of urgent grunts.  Then she was back.  ‘I’m sorry, he dropped the thing, and – Bonnie?’

‘I’m here.’

‘Can you help us?’

I took a moment myself, taking inventory, and concluded what I’d managed to gather up to then would have to do.

‘Lily, listen – get to the bandstand, right now.  You know where I mean?’

‘How will I – ?’

‘Just be there.’

Twenty minutes later I pulled up in a U-Haul, the biggest truck they had.  I’d squeezed everything that mattered into the space above the cab – look at that, twenty years – and let down the ramp in the shadow of the bandstand.  Two sets of noses and tusks poked out.  I heard a small, timid grunt.

‘Hi,’ I said.  ‘Need a ride?’





I, Too, Am Cone

I HADN’T RETURNED to the Island in years, but when she called from beside the harbour, it all came back: strip-malls petering out into scrubland, roads without pavements, bottomless coffee and bagels piled high with green-olive cream cheese.  I heard boat-lines clinking, a plaintive gull’s call, and smiled.

‘Hello,’ she said.  ‘This is your wife.’

I looked at the phone.  I’m not in the habit of taking calls from that many consumer-protection lawyers with funny accents, especially ones who regard themselves as the lone American in a sea of sixty-seven million foreigners, so I waited.  ‘I’m by the harbour.  He’s – he’s gone, Michael.  I had to get out, take a walk, you know.  So I’m just wandering around.’

It was sad, but not unexpected.  Her father had been ailing for years, slipping away for weeks and at death’s door the day she flew back.  She wasn’t cold, exactly, but practical: a bundle of intertwined instincts from which a personality peeped, occasionally, like a seal breaking the surface.  Then she could be funny.  On our first date she dragged me half the length of Manhattan, repeatedly claiming it was only another block to the station.  A block is knocking on for a thousand feet.

‘Anna – I’m sorry.  What can I do?’

‘Nothing.  Just call later.  Broadband’s still on.  I’ll talk to you then.’  I went back to my screen with a hollow heart.  A bit of work might sort it out,  but this time the magic of transport planning failed to do the trick.

When I got to America, I could hardly wait to engage with my peers at the University of Bony Creek.  I’d studied the rise of suburbia – Levittown, the ubiquity of car culture – and rather than adding to some stack of dusty monographs, wanted to do something about it.  Missing pavements, for starters.  Instead I was met with five years’ worth of blank stares.

Still, there was Anna.  On our second date I took her to the graduate dorm.  She stood goggling at the squalor.  One of the math-nerds in the suite had punched a hole through the sheet-rock wall, taped up the Taj Mahal in fond hopes of avoiding a thousand-dollar fine.

How much does this cost you?’

A week later, we’d pooled our resources and moved to Huntington.

Now I imagined her up the road in Northport, where her dad had lived, picking up cleaning supplies and calling her sister.  None of it made things any better.

I walked over to the traffic department.  We’d been working on metered access to a new roundabout by the distribution centre, and Tommy was at the controls for this evening’s night-coning festivities.

‘Hey,’ I said, ogling his bank of screens.  ‘All good to go?’

Without turning round he curled a finger around the joystick, clicked a button.  Every monitor wheeled round into a single giant image of the unfinished roundabout, now the sole focus of Tommy’s massive compound eye.  Though littered with breeze-blocks and chunks of discarded kerbing, it still looked magnificent – clean as some undiscovered island laid bare by a storm.

‘Course.  Unlike you blueprint-monkeys, we work for a living.’

Tommy liked to affect a gruff exterior, but at heart he was a marshmallow – taking his mother to the theatre, baking his flatmates little cakes.

‘So what can I do you for?’

‘Oh nothing, really.  The old man finally slipped away.’

He grimaced and I filled him in.

‘Wanting cheering up, is she?’  I nodded.  ‘Hmm.  Well, keep an ear out.’

The office would be quiet now, so without understanding what he was on about, I headed back.   A couple of hours later she called.  All the earlier hesitation was gone; her voice leapt out of the phone like a tiger bounding through a fiery hoop.

‘So, I finished the family room, started on the den.  That’s the office you know.  Daddy kept his things there, my mom’s stuff.  Clippings.  Evidence.’

I pricked up my ears.  She was on the case, and either furious or thrilled; I’d no idea which.

‘Go on.’

‘So I was looking for the deeds to the house, but I found something else.  An old folder.  It was furry, you know, like somebody had been constantly touching it.  It was bound up in about a million rubber bands that fell apart when I touched them.  Inside – ’

At that moment the incoming call button flashed and my monitor sprang to life.  When I didn’t pick up, an instant message popped into view: Open the link, you cretin.  I clicked on the portal that allowed users with passwords to access our live video-feed.  I watched Tommy’s crew carve the closed roundabout like skaters riding a wall.  They were building something with two rounded top-bumps, a bottom point of orange cones.  The luminous bands shone like teeth in the dark.  How’s that for cheery! a second message said.

‘ – there were newspapers, from the family.  My mother’s father was in there, and not Charles, like we were told.  Not Samuel Charles Goodman.  Samuel Cohen Goodman.  We’re Jewish, Michael.  Jewish!

The shape finally revealed itself on my screen: an enormous, wobbly love heart, light dripping from its curves.  She hated lovehearts and everything they stood for.  I typed furiously into the messenger: Not that!  Anything but that!  Get it changed to something round – a bagel, or something!

‘Remember that guy in the joke who meets the other old guys playing chess, and they all introduce themselves, like Cahn, Coyne, Kane, you know, and the guy bows and says “I, too, am Cohen!”’

She seemed delighted and stunned in equal measure.  I didn’t want to interrupt the moment but felt I had to offer something – some tiny bit of reassurance, a portion of love to complete the circle.  Without waiting to see what they managed to make, I fired off an e-mail with a password, an embedded link.

‘That’s great, Anna!  Listen, can you get to the computer?  I’ve sent you a message – ’










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Meet the Finalists of the 2023 FLASH SUITE Contest

Monday, December 5th, 2022

Featuring our Defenestrationism.net tradition of a picture of our authors’ favorite chair.
(Back to the 2023 FLASH SUITE Contest)


James Roderick Burns’ novella and story collection, Beastly Transparencies, is due from Eyewear in spring 2023. He is the author of four collections of poetry (most recently Chopped Liver, 2022) and a short fiction chapbook, A Bunch of Fives. His work has twice been nominated for the Pushcart Prize. He can be found on Twitter @JamesRoderickB and his newsletter offers one free, published story every second week at abunchoffives.substack.com.






Frederick Highland‘s novels Ghost Eater and Night Falls on Damascus are published by St. Martin’s Press. Recent fiction and poetry have found homes at: The Closed Eye Open, Gone Lawn, Mystery Weekly, and Gargoyle magazines. Website: www.highlandwordsmith.net





April DeOliveira is a Michigan-based writer whose work tends to center on place and the seemingly mundane. She has been published in Great Lakes Review and Front Porch Republic (under the name April Kragt). When she is not writing, she enjoys reading, baking, and traversing Michigan with her wonderful husband, Jaden. More of her writing can be found at miraculousmundane.com.



Sue Vickerman’s stories, poems, articles and translations have appeared in The Guardian, Times Educational Supplement, Los Angeles Review, Oxford Poetry, Poetry Review. Sue has published five poetry and four prose works including a novel Special Needs (Cinnamon Press 2011). Translations include ‘It’s over. Don’t go there,’ the collected stories of award-winning German writer Kathrin Schmidt. suevickerman.uk

Malina Douglas is inspired by the encounters that shape us. She was awarded Editor’s Choice in the Hammond House International Literary Prize and made the Official Selection for the London Independent Story Prize, Fourth Quarter 2020. She was longlisted for the Reflex Press Prize and the Bath Short Story Prize in 2022 and her publications include the National Flash Fiction Day Anthology, Consequence Forum, Typehouse, Wyldblood, Opia, Back Story Journal, Ellipsis Zine, Teach Write, Flash Fiction Magazine, Sobotka Literary Magazine, Rhythm & Bone, Metamorphose V2, and Because That’s Where Your Heart Is from Sans Press. She was a finalist in the Blackwater Press Story Contest and published in their anthology in 2021. She is an alumna of Smokelong Summer and can be found on twitter @iridescentwords.

Elizabeth Allison is a former high school instructor. She is an avid hiker and can never spend too much time traveling with her family. In her spare time, she is engaged in repeated attempts at gardening.

Maggie Nerz Iribarne is 53, living her writing dream in a yellow house in Syracuse, New York. She writes about teenagers, witches, the very old, bats, cats, priests/nuns, cleaning ladies, runaways, struggling teachers, and neighborhood ghosts, among many other things. She keeps a portfolio of her published work at https://www.maggienerziribarne.com.

John Kaufmann is a mobile home park owner who lives in southern New York State. His writing has been published in Off Assignment, Ep;phany, The High Plains Register, Defenestrationism.net, The Journal of the Taxation of Financial Products, The Journal of Taxation of Investments, and Tax Notes. He is quite impressed by the concrete and exact guidelines promulgated by the Defenestrationism.net editorial staff.






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Announcing the Finalists for the 2023 FLASH SUITE Contest

Monday, November 28th, 2022

The Contest is now live, and
our finalists are announced.
Go straight to the contest, here

Or,
you can always also access the contest on
our retro Navigation Panel,
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somewhere around… here
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October Nights Lyrics 2022 reading

Monday, October 31st, 2022

by Paul-Newell Reaves


the 2022 reading is dedicated
to Steve Garland (1970-2020)
&
Steve Hunt (1976-2022)
“turn off your mind, relax, and float downstream”

2022 reading



October Nights Lyrics


No, it’s never too much darker
than this dusky side of late October.
The Moon hums sillily on the sides
of slumbering edifices, declaring willingly
the nature of her vamp metaphysics.
The first fog ghosts steal through gorges and under
bridges as our fingers move through
their freshly shampooed hair.
There’s a mischief on this air.
Callow ghouls
stride and stagger
along the crowded
pedestrian streets;
flippant fairies
vivisect the sidewalks;
vampires with plastic
teeth transact
with their bank accounts―
crossing their fingers,
sticking out their tongues.
They curse their invisible gods.
Behind Cheshire Cat
eyes and eyebrows painted to
outrageous angles,
underdeveloped faces hide crack
infested minds. Lingering
on pouty tragi-comedy lips,
that condemnablest fear— of unknown.


I said no,
no, it’s never too much darker
than this dusky side of late October.
Only they― truly tremulous― dare supplicate
at Alters of Chance and Change, dare
lift a prayer to preserve those shallow memories,
re-live them once more, ever one
time more, and so, ascend
to inalterable Eden. While we,
the wiser, wisend damned―
left behind this Day of the Dead Eve―
cursed with myth-making arts of memory, will
stumble on and stumble on and stumble on.
While we turn keys and juggle dice, they
dance to an unconquerable, sugar-coated rhythm!—
let them play, I say, at immortality.
I envy them not.
For we know first tossed spades
closing a close friend’s death, know,
unaccroachably our failures; know of
diving from cliffs into different seas, and
rocketing through and beyond the atmosphere
toward endless numbers of empty infinities.


No. I said no,
no, it’s never too much darker
than this dusky side of late October.
Dressed as their most disconsolable desires,
ever greedy as first suckled,
candy-gobblers pain unto
the French word for bread.
We know, soberly, that distinction,
possess the instinct to retain,
and aspire to know totally;
our pen ink’s read; our desires
known, if only as unattainable.
Gloaming arises, morning mounts,
mist,
hissed,
ssssst.
Questions often answered then seemed notionless—
lightning remained motionless—
the tide thundered, oceanless:
acorns yet crushed
— underlined twice.
And repeats,
acorns which
have yet
to be crushed
— underlined twice.
Yet how I enjoy their crushing.
Each age of excess
soon descends.
They will soon enjoy
inaccurately remembering.
Jack-o-lantern
candles sputter out.
One less roll down
the hill.
Another year,
another night…



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The Djinni’s Song

Sunday, October 30th, 2022

by Rev. Joe Kelly


When the summer moon at night has set
and the Rub’ al Khali’s black as pitch,
black as the deep oblivion
which broods behind the twinkling stars;


When the freezing winds of desert night
batter and bellow upon the tents
of the Beduin, huddled all together
in fear of the denizens of the dark,


Then do the djinn howl through the night,
howl to promise foul delights;
and he, whose fright is overcome,
into the night, he plunges on,
driven mad by demon’s lust;
and he’s never seen again.


Upon those nights, the Beduin cry,
“There is no god but God! From him,
all things arise, and hence return;
preserve our souls until that day!”


But one among them does not heed;
he is farangi–an Englishman,
a whimsied traveler in those lands,
and all he hears is sweet melody.


So he bids his hosts, good-night, and throws
a heavy cloak about his back,
and takes a skin of wine, for he thinks
his journey shall not last the night.


The Beduin cry, “Friend, do not go!
‘Tis a honeyed lie, which draws you so,
not maidens comely will you find,
but only ravenous daemonkind!”
To this, the English traveler laughs,
delighted by his friends.


He travels long, his wineskin’s spent;
but now, at last the mournful howls
are but a dune or two away,
and so he plunges further on;


And soon, the sun’s begun to rise,
and breaks the eerie spell of night
and the traveler heeds his growing thirst
and turns to walk back on his trail–


But the trail’s gone! What trick is this?
Whence did the tracks which he just made,
that just a moment ago, he saw–
how did they melt into the sands?!


In panic, now, he stumbles back,
backwards, where he must have walked–
but there’s no telling where he may
have turned, again and again, that night.


The sun grows high, it sears his skin,
thirst swells his tongue within his mouth;
his head soon feels as if it will burst;
his vision blurs, his limbs grow limp.


Too late, he sees the meaning of
the words of warning with which his hosts
sought to restrain him; now he laughs
the sardonic laugh of a man condemned.


But now he ceases to laugh, and stops,
and listens, for he hears again
that siren melody of the sands
which drew him on to his perdition;


But where before, the sound had seemed
to dance ahead, beyond his reach,
now it grows swiftly close and clear–
and suddenly, he sees its source!


A vision of voluptuous beauty,
dressed in vibrant, filmy silk,
her amber eyes are curled by a smile,
and now, her plum-red, plump lips part:


“You poor, dear boy, you’ve gone astray!
Come, let me steer you on your way–
but first, you’ll stay awhile with me;
we’ll spend the day in ecstasy!”
And he runs to her, and praises God
for the angel which He sends.


In time, a Beduin will cross
the spot where the ill-fated Englishman
found his fate among the djinn;
and there, he’ll see the evil sign:


A polished skull, on an ivory post,
the djinni-woman’s grinning trophy;
the Beduin will shudder, and
make haste to leave the thing behind.


But if he’s brave, he might draw close
enough to see upon the skull,
the marks of claws, with which the djinni
rent the flesh clean from the bone.


So if you travel to Araby,
and spend a night in the Rub’ al Khali,
and if you are the kind who seeks
pleasures strange and dangerous,


Heed well the words of the Beduin,
and stop your ears to the song of the djinn;
their sultry sins are sugar-sweet,
and tempt indeed world-wise effetes;


But wander not into the night,
or you’ll never be seen again.





Submission Period for the 2023 FLASH SUITE Contest
ends Tuesday, November 1st

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Four Fools in a Marketplace Plaza

Wednesday, October 26th, 2022

by Rev. Joe Kelly

Awaken:
Fast the night is driven, morning shines upon the cobbles;
Merchants, landsknechts, artisans, all hurry on their way:
There’s coin to pass, hands to shake, deals to be made.
In the gutters beggars hold up pans and stare with deadened eyes,
While broke-back peasants haul their grain, earn pennies to stay alive.


Above them all there looms a monument,
A marble statue, silent in its triumph,
Frozen in an age whose bones are dust.
Imperial glory shines yet from its eyes,
Glistening cold and lifeless, void of paint
That men forget once made its visage gaudy.
A relic of imperium, yet looms
Amid an age of petty counts and bishops;
And daily, four fools gather at its base.


The rebel points and shrieks:
He is mightier than the glowering figure frozen in the marble,
For his is the age of enlightenment, of humanism and progress,
And he rejects the stern and stoic atavism of the statue.
He grins with glee–one day, they’ll carve a monument to him!
But they’ll make it of a warmer stone, more human, with a smile
To remind the passers-by of his wisdom and compassion.
And the rebel rails and screams.


The sycophant grovels and wails:
The rebel, he mocks the honor and the grace
Of this reminder of a mightier race!
He glares about at all those who forget,
And thinks, my lord, I’ll remind them yet:
Of the honor, faith and glory which were yours–
Not to be found amid the reign of whores!
For I alone, I know your ancient pride;
I see you standing proud, in days gone by,
The gleaming marble, naked majesty–
And knights in shining armor–chivalry!
I’ll make these sinners hang their heads in shame,
And then they’ll know the rebel’s the one to blame–
And we’ll tie him to a stake, and burn him–revel in his screams!
And the sycophant scrapes and whines.


The student frowns and nods:
For he knows every crack, every crevice of the marble;
He’s studied all its contours, learned the chisel marks by heart.
He’s read as well the piteous scraps that reached him from that age,
The fragments of the poems and the plays still half-remembered,
And from these scraps, he’s weaved a cheap and gaudy tapestry.
At the rebel and the sycophant, he smiles and shakes his head,
For they’ve read not the tapestry–all they know is fables!
The student, he’s seen the truth, stitched together all macabre.
And the student squints and purses.


The artist laughs and dances:
For he alone’s the equal of the man trapped in the statue!
The spirit of that age runs through his blood!
And he alone, among the four, can resurrect its glory!
And so, he makes a statue of his own:
A parody in dung, already crumbling in his hands–
A monument to last the ages through!
The rebel sneers and scoffs; the sycophant snarls indignant;
And the student smiles, shakes his head and tuts.
The artist laughs at all of them, and basks now in his glory!
And the artist cavorts and plays.


Soon the day is done, the evening cools the cobblestones;
The rich and poor alike depart, and drift back to their homes;
And the beggars look to find their nightly lodging in a gutter.
Soon a darker breed emerge to stalk the alleys stark:
Rats and thieves and killers, and devotees of the Outer Dark;


And the statue stands lifeless and cold.





Submission Period for the 2023 FLASH SUITE Contest
ends Tuesday, November 1st

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Concept Albums Explained

Monday, October 17th, 2022

by Saul-Newell Reaves

The Don Killuminati: The 7 Day Theory
2pac (Makaveli)
1996

“In no way is this portrait an expression of disrespect for Jesus Christ”– Tupac Shakur

Sometimes all it takes to establish a powerful concept album is the cover.  

For Tupac Shakur’s album “the Don Killuminati: The 7 Day Theory”, the cover image depicts 2pac nailed to a crucifix.  

Death Row records, released this– his first posthumous album and his last authorial album– within two months of the artist’s murder, under the pseudonym Makaveli.

Upon close inspection of the cover image, it is a crucifix of geography that Pac is nailed to.  On the cross, itself, appear the names of ghetto neighborhoods stretching from “SO CENTRAL” and “WATTS” all the way  to “BROOKLYN”, “BRONX”, and “HARLEM”.  Although this geographical cross may be understood as a representation of the so-called East Coast/ West Coast hip-hop war, I offer a different interpretation.

For the Makaveli album is truly open literature, and sustains multiple, subjective literary interpretations.  No interpretation of this text can ignore, however, the primary statement of this album, that 2pac is crucified by something,  just as Jesus the Nazarene was, some 1,963 years prior.  So– considering the album’s multitudinous biblical references in songs such as “Hail Mary” and “Blasphemy”, along with the provocative cover art– let us see what happens when we compare and contrast the first prophesied Christ, Jesus of Nazareth, with Tupac Shakur. [read more]

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Concept Albums Explained

Sunday, October 2nd, 2022

by Paul-Newell Reaves

The Rambler
Johnny Cash
1977

A lesser known Cash album, “The Rambler” isn’t full of hits, that’s a-sure.  “Wednesday Car” is as close as this album comes to making it on a Best Of collection.  But the scope of this mediocre album is apparent on the cover, where it reads “Directed by Johnny Cash”.  Directed by is not music speak: it’s usually produced by, engineered by, mixed and mastered by– those are the roles that usually appear on album credits.  With the two words directed by, Cash tells us we are in for a cinematic experience. [read more]

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