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Marsh Creek Grievers

Wednesday, December 14th, 2022

by April DeOliveira
(this is part IV. Read Marsh Creek Grievers from the beginning.)


After Automata

The early Michigan fall began to roll over summer, displacing the warm, humid air and deep green trees with its crisp chill and colorful leaves, some trees already bearing sparse branches.

Change shrouded me as I lay in bed—as I had every day for the past three months—listening. Listening to the world outside my window, to the people routinely entering and exiting the building, to the people talking and laughing as they walked in pairs down the street to and from Marsh Creek’s waterfront, to the people driving their cars and going about their lives. Listening to the emptiness of my apartment, an emptiness that would not be filled by the ticking of my and Gregory’s beloved mechanical figurines—the automata we had spent much of our lives building.

When he’d moved out this summer, Gregory had left his automata behind, abandoning not only me but his creations.

I tucked my hand beneath the hem of my T-shirt and traced my hip bone. It protruded like never before.

I swung my rusty legs over the side of the bed and stood. I brushed my overgrown, knotted hair off my neck and straightened my shirt and sweatpants. Rigidly, I walked out of my bedroom and into the hallway. Until now, the only time I’d left my room was to use the bathroom and occasionally get food. Not to wander. Otherwise, I’d spent most of my time in bed, even as I worked seven to three every day with my laptop on my stomach.

I paused, staring across the hallway into what had once been Gregory’s room, where the automata geared on in their operations as if Gregory were coming right back.

I knew he wasn’t.

I forced my legs to motor me down the hallway and into the living room, then the dining room, then the kitchen, then back down the hallway and into Gregory’s room.

The emptiness followed me.

Something else needed to change.

I had an idea.

#

I put the finishing touches on my first-ever life-size automata—Gregory and Christina 2.0—and then booted them up. Apart from this project, I’d given up on all other automata-related pursuits. Something in me had shifted.

Once Gregory and Christina 2.0 were fully conscious, I introduced myself and informed them I was leaving.

“I’m going to need you to man the fort,” I said to Christina 2.0, whose webby, hardwired eyes watched me analytically. “I’m sorry to leave so soon upon meeting, but I have to go. I’ve left you with a friend, though,” I gestured toward Gregory 2.0., who looked at Christina 2.0 like he’d known and loved her for years. I grabbed my suitcase and scanned the place for the last time, admiring the automata Gregory and I had communally built.

“Will you be back?” Gregory 2.0 asked.

“No.” I headed toward the door. As I grabbed the knob and readied myself to abandon everything I’d built and step into a new world—one I didn’t know like clockwork—I turned again to my counterparts. “Look after the automata.”








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Marsh Creek Grievers

Tuesday, December 13th, 2022

by April DeOliveira
(this is part III. Read Marsh Creek Grievers from the beginning.)


Driving with the Sun in my Eyes

The highway pavement blends into a luminous blob of asphalt and sky and floating dark spots through my squinted eyes. I squint harder and adjust my visor, to no avail. The luminous blob remains the luminous blob as the traffic slows and quickens, slows and quickens.

I’m on my way home during that time of day when the Sun is starting to set, when it melts into the horizon with ferocity and pierces the eyes of every driver on the road—before it dips low enough for curses and exasperated sighs to transform into exaltations of nature’s miraculous beauty.

The other day, an 80-year-old man was all over local news because he crashed his car into the back of a woman and child biking—the woman on the bike and the child in one of those attached buggies.

It was that time of day, when the Sun is starting to set, when it melts into the horizon with ferocity and pierces the eyes of every driver on the road—before it dips low enough for curses and exasperated sighs to transform into exaltations of nature’s miraculous beauty.

The man was approaching a hill when it happened. He claimed he couldn’t see the bike and buggy, due to the inclination of the hill and the brightness of the Sun, until he was right on top of them.

Two people. 36 and 7. A mother and her girl on their way to surprise their husband and father at work. A woman with a book buried in her soul and a calmness that could put the most hardhearted at ease. A child with a mouth full of baby teeth, trees to climb, and feet dirty from play.

Traffic slows again, coming to a coast, as I and other dazed drivers enter Marsh Creek. I’m relieved to make it home.








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Marsh Creek Grievers

Monday, December 12th, 2022

by April DeOliveira
(this is part II. Read Marsh Creek Grievers from the beginning.)

Squirrel Daycare

The thing about working in a squirrel daycare is the squirrels refuse to lay down for naptime.

Well, technically that’s not true. I don’t work here. I’m a volunteer—or participant, really—at Grief Recovery Squirrel Daycare for the Gifted. Yes, I know that’s a mouthful. Yes, I know the name doesn’t make sense. And to be clear, it’s not the grieving who are gifted. It’s the squirrels. And to be even clearer, it’s not the gifted squirrels who are grieving. It’s the residents of Marsh Creek.

When, a few weeks ago, my mom came to me and nearly begged I apply to Grief Recovery Squirrel Daycare for the Gifted, I laughed. Are you serious, I said as a statement rather than a question. I had driven past that place so many times on my way into town. And so many times I had looked at it with suspicion and thought, surely that doesn’t help people, not really. Like those church Celebrate Recovery or Grief Support programs. Just another one of those quick fix, put a bandage over a gaping wound kind of programs.

Please, just give it a try, she said through tears. I want my son back.

I’m right here, I growled. I hate it when people say stuff like that. As if what my grief has done to me is actually me trying to hurt them.

You know what I mean. You’re not yourself. You haven’t been for a long time.

Though I was angry, I knew she wasn’t wrong. It had been two years since my wife and daughter died. Two years later, I still couldn’t move on in my life, not even after those first six months of grief had caused me to lose my house and move in with my mom. I still couldn’t return to work. I still couldn’t get out of bed until 2 p.m. I still couldn’t brush the coffee off my teeth or wash the days-worth of grease and sweat and dust off my body. I still couldn’t bike or woodwork or read. All I could do was sleep and watch Megamind over and over.

No, Mom, I said, beginning to cry, which I do all the time now. I can’t. Everything is too overwhelming already. Everyday life is too much.

I know, honey. I know. That’s why I think this would be good for you. You need help. And I’ve heard really good things about this program from others in the community. People who have experienced the absolute worst things in their lives and are now doing better as a result. I just really think this could help you too.

I sighed and studied my mom’s tear-filled brown eyes. The dark circles. The crinkles that formed paths around and between her eyes. Signs of a life spent loving and worrying and lamenting.

Will you at least meet with a representative and see what they do? You don’t have to agree to it. Just talk with someone about it.

I reached for my face, rubbing at the stubble along my chin and left cheek. I sighed again. Sure, Mom. I’ll do it.

Now, I curse my empathetic mother under my breath as I place Photographic Memory Squirrel onto his nap cot, tucking the miniature blanket under him knowing full well he’ll sit up the moment I’m done and take off running through the Play Area and the Art Station. I let go and sure enough he runs away like I just clipped the tip of his tail with the craft scissors.

I don’t know why she thought this was a good idea.

Photographic Memory Squirrel comes to a halt in the Art Station and looks in my direction. Staring me down, he blinks once before printing a picture from his mouth. He drops a four by six on the floor and starts running again, this time to the Music Lab. I huff as I walk to the Art Station in the middle of the room and pick up the picture.

I run my thumb along the smooth, white edges of the Polaroid-like picture as the image comes into focus.

Shivers ripple down my spine. I don’t recognize myself. The sullen face, prematurely aged and worn. The dull eyes with droopy lids. The unkempt hair and frail, neglected body. I don’t know who this man is.

You’ll feel better in time, Telepathic Squirrel says inside my head. I hate it when he does that. I rotate toward the Sleep Place to glare at him. He’s sitting up on his nap cot, his blankets a heap on the floor, except for the one he’s wearing as a poofy, oversized scarf. It looks like tires stacked around his neck. Will you get out of my head? I think-shout at him.

Don’t shoot the Messenger, he says. You’ll know yourself again.  










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Marsh Creek Grievers

Sunday, December 11th, 2022

by April DeOliveira


“Automata”
(publishing December 11th)
“Squirrel Daycare”
(publishing December 12th)
“Driving with the Sun in my Eyes”
(publishing December 13th)
“After Automata”
(publishing December 14th)




Automata


Carefully, yet with ease, I slid the tiny astronaut helmet, about the size of small bouncy ball, onto the head of Asher the Astronaut, my newest automaton.

He now stood before me with his chest puffed out and his hands placed confidently on his hips, fully outfitted in an aluminum spacesuit and ready to shoot to the moon. I looked at my 28-year-old brother, Gregory. Two years my senior, he sat across from me building his own automaton as he screwed the limbs onto an electrician. I grinned at him and threw my hands into the air emphatically. “Voila!”

Gregory laughed, observing my astronaut. “He looks great, Christina,” he said. His eyes scanned the room. “Where should we put him?”

I craned my neck, checking to see if there was any free space on the end table by the window. The end table, like the rest of the hard surfaces in the living room (and every room in our apartment, really), hosted multiple automata—mechanical, humanlike figurines—knee high and miniature. “Hmmm,” I said. “I don’t know. We’re starting to run out of free space. Before long, we’ll have to upgrade to a larger apartment.” Gregory completed his final step and fastened a blue jumpsuit onto the four-inch figure. “Your electrician is fantastic. He looks like he’s ready to check the wiring of this entire building.”

Gregory beamed and stared at his creation. “He does.”

I couldn’t help but smile at the way Gregory took such joy in his work.

“Well,” he said, “Asher the Astronaut and Emmerson the Electrician will just have to hang tight together for a bit. Maybe we can go to the thrift store today and find another end table.”

I nodded, leaning back on my hands, studying my brother’s automaton.

I grabbed Emmerson the Electrician and stood him next to Asher the Astronaut. I admired them for a long moment, appreciating how they too appeared as best friend-siblings.

#

Over the next several months, I noticed Gregory progressively breaking down. Sleeping in past 10 a.m., though he was always an early riser. Taking hours-long naps, though he’d always hated naps. Showering infrequently, though he’d always begun his morning routines with a shower. Wearing only sweatpants and T-shirts, though he’d always dressed in jeans and button-up shirts. Slowly, a sadness of some sort seemed to fuel him like motor oil. I had never seen such behavior from him before, and it scared me.

But it all came to a head one day when I arrived home from the grocery store and found Gregory lying belly-down on the floor, crying next to the small, limp body that was Gadget, his autodog.

I was about to ask him what was wrong, but I was cut off by a yellow spark that flashed from within the joint of one of Gadget’s steel legs. A screw loosened from his joint and bounced onto the hardwood floor, rolling toward my feet. Gadget let out a dysfunctional eerr zz zz er and jerked his leg, his heavy silver paw clanking onto the ground, causing yet another screw to come loose and fall.

Gadget was dying. My brother never let his automata die.

Gregory erupted into a fresh round of sobs. His cheek rested on the cold floor, his face inches away from Gadget’s. He placed his shaking hand on Gadget’s head, rubbing his thumb along the smooth surface, whispering, “I’m sorry, boy.”

            Tools were strewn across the hardwood floor. The automata that surrounded us persisted in their various tasks as if there wasn’t a threatening, dreadful ambience in the room. Gadget twitched violently as he released his final breath, his cold body producing a high-pitched deflating noise. Then he was still.






Squirrel Daycare


The thing about working in a squirrel daycare is the squirrels refuse to lay down for naptime.

Well, technically that’s not true. I don’t work here. I’m a volunteer—or participant, really—at Grief Recovery Squirrel Daycare for the Gifted. Yes, I know that’s a mouthful. Yes, I know the name doesn’t make sense. And to be clear, it’s not the grieving who are gifted. It’s the squirrels. And to be even clearer, it’s not the gifted squirrels who are grieving. It’s the residents of Marsh Creek.

When, a few weeks ago, my mom came to me and nearly begged I apply to Grief Recovery Squirrel Daycare for the Gifted, I laughed. Are you serious, I said as a statement rather than a question. I had driven past that place so many times on my way into town. And so many times I had looked at it with suspicion and thought, surely that doesn’t help people, not really. Like those church Celebrate Recovery or Grief Support programs. Just another one of those quick fix, put a bandage over a gaping wound kind of programs.

Please, just give it a try, she said through tears. I want my son back.

I’m right here, I growled. I hate it when people say stuff like that. As if what my grief has done to me is actually me trying to hurt them.

You know what I mean. You’re not yourself. You haven’t been for a long time.

Though I was angry, I knew she wasn’t wrong. It had been two years since my wife and daughter died. Two years later, I still couldn’t move on in my life, not even after those first six months of grief had caused me to lose my house and move in with my mom. I still couldn’t return to work. I still couldn’t get out of bed until 2 p.m. I still couldn’t brush the coffee off my teeth or wash the days-worth of grease and sweat and dust off my body. I still couldn’t bike or woodwork or read. All I could do was sleep and watch Megamind over and over.

No, Mom, I said, beginning to cry, which I do all the time now. I can’t. Everything is too overwhelming already. Everyday life is too much.

I know, honey. I know. That’s why I think this would be good for you. You need help. And I’ve heard really good things about this program from others in the community. People who have experienced the absolute worst things in their lives and are now doing better as a result. I just really think this could help you too.

I sighed and studied my mom’s tear-filled brown eyes. The dark circles. The crinkles that formed paths around and between her eyes. Signs of a life spent loving and worrying and lamenting.

Will you at least meet with a representative and see what they do? You don’t have to agree to it. Just talk with someone about it.

I reached for my face, rubbing at the stubble along my chin and left cheek. I sighed again. Sure, Mom. I’ll do it.

Now, I curse my empathetic mother under my breath as I place Photographic Memory Squirrel onto his nap cot, tucking the miniature blanket under him knowing full well he’ll sit up the moment I’m done and take off running through the Play Area and the Art Station. I let go and sure enough he runs away like I just clipped the tip of his tail with the craft scissors.

I don’t know why she thought this was a good idea.

Photographic Memory Squirrel comes to a halt in the Art Station and looks in my direction. Staring me down, he blinks once before printing a picture from his mouth. He drops a four by six on the floor and starts running again, this time to the Music Lab. I huff as I walk to the Art Station in the middle of the room and pick up the picture.

I run my thumb along the smooth, white edges of the Polaroid-like picture as the image comes into focus.

Shivers ripple down my spine. I don’t recognize myself. The sullen face, prematurely aged and worn. The dull eyes with droopy lids. The unkempt hair and frail, neglected body. I don’t know who this man is.

You’ll feel better in time, Telepathic Squirrel says inside my head. I hate it when he does that. I rotate toward the Sleep Place to glare at him. He’s sitting up on his nap cot, his blankets a heap on the floor, except for the one he’s wearing as a poofy, oversized scarf. It looks like tires stacked around his neck. Will you get out of my head? I think-shout at him.

Don’t shoot the Messenger, he says. You’ll know yourself again.  







Driving with the Sun in my Eyes


The highway pavement blends into a luminous blob of asphalt and sky and floating dark spots through my squinted eyes. I squint harder and adjust my visor, to no avail. The luminous blob remains the luminous blob as the traffic slows and quickens, slows and quickens.

I’m on my way home during that time of day when the Sun is starting to set, when it melts into the horizon with ferocity and pierces the eyes of every driver on the road—before it dips low enough for curses and exasperated sighs to transform into exaltations of nature’s miraculous beauty.

The other day, an 80-year-old man was all over local news because he crashed his car into the back of a woman and child biking—the woman on the bike and the child in one of those attached buggies.

It was that time of day, when the Sun is starting to set, when it melts into the horizon with ferocity and pierces the eyes of every driver on the road—before it dips low enough for curses and exasperated sighs to transform into exaltations of nature’s miraculous beauty.

The man was approaching a hill when it happened. He claimed he couldn’t see the bike and buggy, due to the inclination of the hill and the brightness of the Sun, until he was right on top of them.

Two people. 36 and 7. A mother and her girl on their way to surprise their husband and father at work. A woman with a book buried in her soul and a calmness that could put the most hardhearted at ease. A child with a mouth full of baby teeth, trees to climb, and feet dirty from play.

Traffic slows again, coming to a coast, as I and other dazed drivers enter Marsh Creek. I’m relieved to make it home.








After Automata


The early Michigan fall began to roll over summer, displacing the warm, humid air and deep green trees with its crisp chill and colorful leaves, some trees already bearing sparse branches.

Change shrouded me as I lay in bed—as I had every day for the past three months—listening. Listening to the world outside my window, to the people routinely entering and exiting the building, to the people talking and laughing as they walked in pairs down the street to and from Marsh Creek’s waterfront, to the people driving their cars and going about their lives. Listening to the emptiness of my apartment, an emptiness that would not be filled by the ticking of my and Gregory’s beloved mechanical figurines—the automata we had spent much of our lives building.

When he’d moved out this summer, Gregory had left his automata behind, abandoning not only me but his creations.

I tucked my hand beneath the hem of my T-shirt and traced my hip bone. It protruded like never before.

I swung my rusty legs over the side of the bed and stood. I brushed my overgrown, knotted hair off my neck and straightened my shirt and sweatpants. Rigidly, I walked out of my bedroom and into the hallway. Until now, the only time I’d left my room was to use the bathroom and occasionally get food. Not to wander. Otherwise, I’d spent most of my time in bed, even as I worked seven to three every day with my laptop on my stomach.

I paused, staring across the hallway into what had once been Gregory’s room, where the automata geared on in their operations as if Gregory were coming right back.

I knew he wasn’t.

I forced my legs to motor me down the hallway and into the living room, then the dining room, then the kitchen, then back down the hallway and into Gregory’s room.

The emptiness followed me.

Something else needed to change.

I had an idea.

#

I put the finishing touches on my first-ever life-size automata—Gregory and Christina 2.0—and then booted them up. Apart from this project, I’d given up on all other automata-related pursuits. Something in me had shifted.

Once Gregory and Christina 2.0 were fully conscious, I introduced myself and informed them I was leaving.

“I’m going to need you to man the fort,” I said to Christina 2.0, whose webby, hardwired eyes watched me analytically. “I’m sorry to leave so soon upon meeting, but I have to go. I’ve left you with a friend, though,” I gestured toward Gregory 2.0., who looked at Christina 2.0 like he’d known and loved her for years. I grabbed my suitcase and scanned the place for the last time, admiring the automata Gregory and I had communally built.

“Will you be back?” Gregory 2.0 asked.

“No.” I headed toward the door. As I grabbed the knob and readied myself to abandon everything I’d built and step into a new world—one I didn’t know like clockwork—I turned again to my counterparts. “Look after the automata.”










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Mystere Suite

Saturday, December 10th, 2022


by Frederick Highland

(This is part III. Experience Mystere Suite from the beginning.)


“One Minute Mysteries” have been around since the 1930s, illustrated stories that call upon the reader to solve a crime.




The Fourth Coffin

Author’s Comment:

Perhaps the most elusive murders involve poisoning. In this piece, the reader is presented with four inhabited coffins, three of which suggest the method of the crimes. A fascination with botanicals has likely led the skulking figure on the left, curiously dressed in parson’s garb, to practice his skill in dark, dark ways. Fortunately, an officer of the law is on the scene and seems likely to apprehend the felon. The tome the culprit is carrying may be an ancient herbal or even a grimoire. As for the fourth coffin it seems to be missing a deadly botanical. Why?








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Mystere Suite

Friday, December 9th, 2022


by Frederick Highland

(This is part II. Experience Mystere Suite from the beginning.)


“One Minute Mysteries” have been around since the 1930s, illustrated stories that call upon the reader to solve a crime.




Under the Rose

Author’s Comment:

“But when we with caution a secret disclose,
We cry, “Be it spoken, sir, under the rose.”
Since ’tis known that the rose was an emblem of old,
Whose leaves by their closeness taught secrets to hold.”

The meaning of “sub rosa” is explained by this old rhyme, one that hints at a mysterious murder in which roses play an essential part. We see a victim, whose bloody corpse is draped across the table to the left. A murderer is present too but there are two personages- a woman on the staircase dressed in male evening clothes and carrying a bouquet of lilies and the older gent contemplating a bloodstained rose. Other text hints at a possible motive for homicide. A telegram in French at bottom right, reads, roughly translated: “Why has there been no answer to our offer of six thousand? Rose.” Is this crime about love or money? Or is something else afoot?








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Mystere Suite

Thursday, December 8th, 2022

by Frederick Highland


Mystere 1: Maybe Not
(publishing December 8th)
Mystere 2: Under the Rose
(publishing December 9th)
Mystere 3: The Fourth Coffin
(publishing December 10th)




On the Concept of the “Mystere”


“One Minute Mysteries” have been around since the 1930s, illustrated stories that call upon the reader to solve a crime.

I sort of flew with this in creating the “Mysteres.” Each piece offers a single tableau of image and word that presents a crime and often suggests a solution. Sometimes no solution is apparent but the reader can speculate on the why where and how of the crime. They can also be perceived as springboards for the imagination—perhaps inspiring a tale of the reader’s own.

The three “Mysteres” here are not related in the narrative sense but thematically. Each piece is its own narrative.


Maybe Not

Author’s Comment:

Body snatching is an ancient crime and was widely practiced even in enlightened 19th century England.  In this case it seems the snatchers have unearthed more than they bargained for. Their recent acquisition of a calcified Egyptian from who knows where seems to have awakened a baleful presence. Curses!




Under the Rose

Author’s Comment:

“But when we with caution a secret disclose,
We cry, “Be it spoken, sir, under the rose.”
Since ’tis known that the rose was an emblem of old,
Whose leaves by their closeness taught secrets to hold.”

The meaning of “sub rosa” is explained by this old rhyme, one that hints at a mysterious murder in which roses play an essential part. We see a victim, whose bloody corpse is draped across the table to the left. A murderer is present too but there are two personages- a woman on the staircase dressed in male evening clothes and carrying a bouquet of lilies and the older gent contemplating a bloodstained rose. Other text hints at a possible motive for homicide. A telegram in French at bottom right, reads, roughly translated: “Why has there been no answer to our offer of six thousand? Rose.” Is this crime about love or money? Or is something else afoot?




The Fourth Coffin

Author’s Comment:

Perhaps the most elusive murders involve poisoning. In this piece, the reader is presented with four inhabited coffins, three of which suggest the method of the crimes. A fascination with botanicals has likely led the skulking figure on the left, curiously dressed in parson’s garb, to practice his skill in dark, dark ways. Fortunately, an officer of the law is on the scene and seems likely to apprehend the felon. The tome the culprit is carrying may be an ancient herbal or even a grimoire. As for the fourth coffin it seems to be missing a deadly botanical. Why?







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Northport

Wednesday, December 7th, 2022

by James Roderick Burns
(This is part III. Read Northport from the beginning.)

I, Too, Am Cone

I HADN’T RETURNED to the Island in years, but when she called from beside the harbour, it all came back: strip-malls petering out into scrubland, roads without pavements, bottomless coffee and bagels piled high with green-olive cream cheese.  I heard boat-lines clinking, a plaintive gull’s call, and smiled.

‘Hello,’ she said.  ‘This is your wife.’

I looked at the phone.  I’m not in the habit of taking calls from that many consumer-protection lawyers with funny accents, especially ones who regard themselves as the lone American in a sea of sixty-seven million foreigners, so I waited.  ‘I’m by the harbour.  He’s – he’s gone, Michael.  I had to get out, take a walk, you know.  So I’m just wandering around.’

It was sad, but not unexpected.  Her father had been ailing for years, slipping away for weeks and at death’s door the day she flew back.  She wasn’t cold, exactly, but practical: a bundle of intertwined instincts from which a personality peeped, occasionally, like a seal breaking the surface.  Then she could be funny.  On our first date she dragged me half the length of Manhattan, repeatedly claiming it was only another block to the station.  A block is knocking on for a thousand feet.

‘Anna – I’m sorry.  What can I do?’

‘Nothing.  Just call later.  Broadband’s still on.  I’ll talk to you then.’  I went back to my screen with a hollow heart.  A bit of work might sort it out,  but this time the magic of transport planning failed to do the trick.

When I got to America, I could hardly wait to engage with my peers at the University of Bony Creek.  I’d studied the rise of suburbia – Levittown, the ubiquity of car culture – and rather than adding to some stack of dusty monographs, wanted to do something about it.  Missing pavements, for starters.  Instead I was met with five years’ worth of blank stares.

Still, there was Anna.  On our second date I took her to the graduate dorm.  She stood goggling at the squalor.  One of the math-nerds in the suite had punched a hole through the sheet-rock wall, taped up the Taj Mahal in fond hopes of avoiding a thousand-dollar fine.

How much does this cost you?’

A week later, we’d pooled our resources and moved to Huntington.

Now I imagined her up the road in Northport, where her dad had lived, picking up cleaning supplies and calling her sister.  None of it made things any better.

I walked over to the traffic department.  We’d been working on metered access to a new roundabout by the distribution centre, and Tommy was at the controls for this evening’s night-coning festivities.

‘Hey,’ I said, ogling his bank of screens.  ‘All good to go?’

Without turning round he curled a finger around the joystick, clicked a button.  Every monitor wheeled round into a single giant image of the unfinished roundabout, now the sole focus of Tommy’s massive compound eye.  Though littered with breeze-blocks and chunks of discarded kerbing, it still looked magnificent – clean as some undiscovered island laid bare by a storm.

‘Course.  Unlike you blueprint-monkeys, we work for a living.’

Tommy liked to affect a gruff exterior, but at heart he was a marshmallow – taking his mother to the theatre, baking his flatmates little cakes.

‘So what can I do you for?’

‘Oh nothing, really.  The old man finally slipped away.’

He grimaced and I filled him in.

‘Wanting cheering up, is she?’  I nodded.  ‘Hmm.  Well, keep an ear out.’

The office would be quiet now, so without understanding what he was on about, I headed back.   A couple of hours later she called.  All the earlier hesitation was gone; her voice leapt out of the phone like a tiger bounding through a fiery hoop.

‘So, I finished the family room, started on the den.  That’s the office you know.  Daddy kept his things there, my mom’s stuff.  Clippings.  Evidence.’

I pricked up my ears.  She was on the case, and either furious or thrilled; I’d no idea which.

‘Go on.’

‘So I was looking for the deeds to the house, but I found something else.  An old folder.  It was furry, you know, like somebody had been constantly touching it.  It was bound up in about a million rubber bands that fell apart when I touched them.  Inside – ’

At that moment the incoming call button flashed and my monitor sprang to life.  When I didn’t pick up, an instant message popped into view: Open the link, you cretin.  I clicked on the portal that allowed users with passwords to access our live video-feed.  I watched Tommy’s crew carve the closed roundabout like skaters riding a wall.  They were building something with two rounded top-bumps, a bottom point of orange cones.  The luminous bands shone like teeth in the dark.  How’s that for cheery! a second message said.

‘ – there were newspapers, from the family.  My mother’s father was in there, and not Charles, like we were told.  Not Samuel Charles Goodman.  Samuel Cohen Goodman.  We’re Jewish, Michael.  Jewish!

The shape finally revealed itself on my screen: an enormous, wobbly love heart, light dripping from its curves.  She hated lovehearts and everything they stood for.  I typed furiously into the messenger: Not that!  Anything but that!  Get it changed to something round – a bagel, or something!

‘Remember that guy in the joke who meets the other old guys playing chess, and they all introduce themselves, like Cahn, Coyne, Kane, you know, and the guy bows and says “I, too, am Cohen!”’

She seemed delighted and stunned in equal measure.  I didn’t want to interrupt the moment but felt I had to offer something – some tiny bit of reassurance, a portion of love to complete the circle.  Without waiting to see what they managed to make, I fired off an e-mail with a password, an embedded link.

‘That’s great, Anna!  Listen, can you get to the computer?  I’ve sent you a message – ’






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Northport

Tuesday, December 6th, 2022

by James Roderick Burns

(This is part II. Read Northport from the beginning.)

How Walruses Live

I MET HER in the Walgreen’s by the railroad station.  I had a few minutes to kill before the LIRR delivered my darling Abe from Wall Street, and rather than worrying over how many parlour-car scotches he might have consumed, I decided to browse the manicure section.  I never made it.  She was slumped with her pup beside the flying-elephant ride, crying as though it had swallowed their last nickel then refused to lift off.

‘Are you okay?’

I wasn’t sure how to address her.  ‘Dear’ or ‘honey’ didn’t seem to cut it.  She was quite a bit bigger than me, and though her skin was a nice russet brown, it was criss-crossed with tusk-marks.  Her boy was plump as a chestnut.  Each sob sent a sympathetic wave through the entire wobbly length of him.

She wiped away a tear before answering.

‘I – well, not really, but thank you for asking.’

I nodded.

‘I’m Bonnie.  New in town?’

She nodded back.

‘Just a few days, since my husband Claude hauled out in the harbour.  But where are my manners?’  She sniffed, wiped away another tear.  ‘I’m Lily, and this young man is Edward.  We’re from Nova Scotia.’  The pup poked his head out from beneath her flipper, his mouth a small round hole in a ball of fuzzy whiskers.  He grunted.  ‘We’ll be alright.’

But they weren’t; at least not then.

*

I caught a backhander next day for failing to drive him home.  Abe believes in discipline served cold.

‘Ten bucks taxi fare, Bee.  Ten!  That’s coming out of your housekeeping.  Now get outta my goddamn sight.’

There wasn’t much point prolonging the discussion, so I went back to the kitchen.  He’d drink himself to sleep in his La-Z-Boy soon enough, and I could catch up on my thinking.  The pup had bucked up a bit when I asked if he’d like an ice-cream float from the soda fountain.  We sat on opposite sides of a booth while he sucked it down.  She’d had a chance to fix her make-up, and her cheeks were a bit less shiny.

‘So what brings you down here?’

‘Well, my husband, you know – Claude – he felt the feeding grounds weren’t so great this year, and he’d heard you had nice clams in this part of the world, and so – well, that’s it, really.’  She dipped her head as this little speech went on.  Clams, my ass.

‘So it was his idea?’

She didn’t answer.  Little Edward came up for air with a rather satisfying belch.  She smiled, some missing light making it back into her eyes.  They were huge, pitch black.  I’d have killed for those lashes.

‘Look,’ I said, ‘this might be out of line, but we have a book group in town and you might like to come along, you know – get to know the ladies.’  I wrote down place and time for her on a napkin, not expecting her to show, but next week there she was, Edward in tow, wearing a pink jumper with a little enamel maple-leaf high up near the collar.

‘Come on in.’

I’d got Margie to bring out the biggest couch we had, but winced as she settled in amongst a battery of creaks.  It held, and she smiled around at the ladies as I introduced them.  We were discussing The Old Man and the Sea, and though she didn’t say much, I thought she might have some thoughts on that subject.  I stayed behind a bit, collecting glasses, then took her aside.

‘Glad you came.’

‘Thanks.  I enjoyed meeting your friends.’

I noticed she had a dark patch under one eye, and was holding her left flipper down by her side.

‘You know, there are rules about that kind of thing, nowadays.  They’re even enforced occasionally.’

She looked away, making an ineffectual effort to tidy away the bowls with her good flipper.  I reached over and turned her face back to mine.  It was warm, quivering, and had a curious stiff-bristle feeling along with the heat.

‘Do you want me to help?’

She shook her head.

‘I can’t.  Claude – ’

‘Oh fuck Claude, honey.  This is your life.  And his.’  Edward was chasing Margie’s dog ball through a patch of sunlight.  The floorboards groaned as he leapt and landed.  ‘Listen, you don’t need to do anything.  But let me know where I can reach you.’

She handed me her card and sniffed.

‘Edward,’ she said.  ‘We need to go now.’

As they went out she tried to stop herself looking back, but couldn’t.

*

I saw her now and again over the next few weeks: at the grocery store, the beauty parlour, one time lying in the shadow of the harbour bandstand watching her pup slipping in and out of the water.  I was kind of busy myself, so didn’t stop.  But I thought about her often.  In the end, it came in a phone call.  The timing couldn’t have been better.

‘Bonnie?’

The voice was small, hesitant, but I knew it was her.

‘Lily?  Where are you?’

‘By the harbour.  Edward’s holding the receiver so I can talk.’

There was a moment of confusion and she went away.  The sound of plastic clunking on metal, a series of urgent grunts.  Then she was back.  ‘I’m sorry, he dropped the thing, and – Bonnie?’

‘I’m here.’

‘Can you help us?’

I took a moment myself, taking inventory, and concluded what I’d managed to gather up to then would have to do.

‘Lily, listen – get to the bandstand, right now.  You know where I mean?’

‘How will I – ?’

‘Just be there.’

Twenty minutes later I pulled up in a U-Haul, the biggest truck they had.  I’d squeezed everything that mattered into the space above the cab – look at that, twenty years – and let down the ramp in the shadow of the bandstand.  Two sets of noses and tusks poked out.  I heard a small, timid grunt.

‘Hi,’ I said.  ‘Need a ride?’





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Northport

Monday, December 5th, 2022

by James Roderick Burns


Stranglethorne
(publishing December 5th)
How Walruses Live
(publishing December 6th)
I, Too, Am Cone
(publishing December 7th)



Stranglethorne

I

AS NIGHT FELL, a wind picked up in the harbour.  Fishing-boat lines rattled; gulls went screeching about the lanes.  His errands complete, the vicar of Northport sat warm – if regretful – opposite his friend, the bookseller.

‘Truly, Montague?  Whatever did you do?’

‘I’ve no time for details.’

‘It wouldn’t take long, surely?’

‘Well – one final cup, then.’


II

Reverend Rhodes was vicar of a large but sparsely-inhabited parish overlooking the sound.  Never married, he’d recently acquired a sixteen year old niece, orphaned by consumption, of whom – despite her manifold, bristling energies – he was yet fond.

Must you, Elinore?  There are handfuls of it all over the vicarage.’

‘Oh uncle, don’t be such a bothersome thing!  If I followed your star, my hair would be in the same state as these dreadful bushes!’

She made a series of strokes through her long, dark tresses.  He noticed she still held her head in the carefree manner of girlhood.  There were too few reminders of such times, and he wished to restore to their lives what modicum of stability they had formerly possessed.

She did, however, have a point about the shrubbery.


III

The following day he hunted up Fitzsimmons.

‘Did I not ask you to clip those overhanging – boughs, two weeks since?’

‘You did, sor, yes, and so I did.’  Fitzsimmons tamped tobacco into a wooden pipe rendered dark as basalt by long fingering.  ‘Twas an awful job, if you don’t mind me saying.’

Rhodes stood for a moment stroking the Piccadilly Weepers his niece could not get him to remove.

‘Show me.’


IV

At both ends of the house the growth was thickest, a great hedge looming silently up, beetling over the gables, casting the garden into deep shade.  But neither end had windows, so there he had ordered no work.  Both front and back, however, mighty thorn-bushes encircled the house like wild Indians.

‘Here,’ spat the vicar.  ‘Here, and yet here.’

Fitzsimons nodded, white-faced at each gesture, as though at the salty trumps of doom.

‘Indeed, those were the exact spots, sor, which I pruned!  Half a dozen baskets.  A boy carted them off.  Gave him a nickel from my own pocket.’

Rhodes shook his head in consternation.

‘Told your niece of the work I did, sor.  She was kind enough to fetch me a glass of lemonade.’

‘Elinore?’

Fitzsimons nodded, was dismissed.  Rhodes headed for the drawing-room.


V

‘Elinore!’

It took a few moments for her to appear.  Again, the cursed brush!  He seized it.

‘I wish to speak to you about the bushes.’

‘Yes, Uncle Montague?’

‘You assisted Fitzsimmons.  How went the work?’

‘Oh, marvellously!  He chopped away like some great mechanical apparatus, and seemed so over-heated I was moved to take him a drink.’

‘Yes, but what of the work?  Did he progress – make his way, so to speak, from beginning to end?’

‘Oh, yes.’

‘Then why’ – he pointed at the window – ‘can light barely penetrate these infernal thickets?’

His niece was quiet for a moment.  ‘Well, Uncle, I don’t know.  But I shall find out.  Marcy, down in the hollow, has a relative who knows of such things.’

With a flounce of her skirts she retrieved the brush and left her uncle staring out of the window, a branch tapping now and then by his face.


VI

A few nights later, he heard it once more: a damned and resolute tapping, as of fingers or the head of a walking-stick.  It was quite maddening.  Eventually the vicar rose and stumbled downstairs.  Where normally in summer he would expect the drawing room to be faintly outlined, now there was nothing; not even the humps of furniture, but solely an extent of window giving on the garden.  Behind the panes, like black cloud or clutches of wire, was a mass of thorn-bushes waving in silence.

He shuddered and retreated to bed.


VII

The next morning, Rhodes set out to admonish his man.  But on entering the garden he stopped, amazed.  No thorn-bushes were to be seen.  Both sides of the house were clean as a freshly-shaven cheek.  Stone sparkled in the light; sun picked out thorn-heads in a pruned hedge flat as granite.

From the drawing-room came singing, the sounds of brush-strokes through hair.


VIII

It took some time before he regained his composure, but after ascertaining Elinore had indeed visited the hollow, and was well-disposed for the day, he took to the high-backed chair in his study and extinguished the lamp.  His niece offered to play for him, but was rebuffed.  In the silence and gloom, he endeavoured to understand the conundrum by thoroughly ignoring it.  His sermon for the following Sunday would help this understanding along.

Soon his mind wandered to the sparkle of light out on the sound, an occasional seal braving the harbour, walks through the woods leading to the vicarage.  In no time he was asleep.


IX

At first, he believed a breeze must have disturbed his slumbers.  There came a long, wavering ticklishness about his neck, like the touch of delicate fingers, or the trailing leaves of a weeping willow.  He sat up, but in the gloom was constrained by some manner of soft binding.

Rhodes shook his head (was he still in the grip of a dream?) and managed to grasp his tinder-box.  Fingers that had lit a thousand pipes had the lamp alight in moments, and – ah!  In the rosy effulgence he saw this was no dream!  All around him, over arms and legs, coiled thickly like a serpent’s nest in his lap, was a river of black, writhing hair!  It shone with the dark glister of something unspeakable oozing from a hole, and sensing movement, looped about and laid course for his neck.

But where those vile tresses may have ended he could not say, for Rhodes cried out and fainted dead away.


X

The bookseller started.

‘Did you – learn anything, then, Montague?’

‘I did, sir.  Most assuredly I did.  Never let a witch do a gardener’s work!’





How Walruses Live

I MET HER in the Walgreen’s by the railroad station.  I had a few minutes to kill before the LIRR delivered my darling Abe from Wall Street, and rather than worrying over how many parlour-car scotches he might have consumed, I decided to browse the manicure section.  I never made it.  She was slumped with her pup beside the flying-elephant ride, crying as though it had swallowed their last nickel then refused to lift off.

‘Are you okay?’

I wasn’t sure how to address her.  ‘Dear’ or ‘honey’ didn’t seem to cut it.  She was quite a bit bigger than me, and though her skin was a nice russet brown, it was criss-crossed with tusk-marks.  Her boy was plump as a chestnut.  Each sob sent a sympathetic wave through the entire wobbly length of him.

She wiped away a tear before answering.

‘I – well, not really, but thank you for asking.’

I nodded.

‘I’m Bonnie.  New in town?’

She nodded back.

‘Just a few days, since my husband Claude hauled out in the harbour.  But where are my manners?’  She sniffed, wiped away another tear.  ‘I’m Lily, and this young man is Edward.  We’re from Nova Scotia.’  The pup poked his head out from beneath her flipper, his mouth a small round hole in a ball of fuzzy whiskers.  He grunted.  ‘We’ll be alright.’

But they weren’t; at least not then.

*

I caught a backhander next day for failing to drive him home.  Abe believes in discipline served cold.

‘Ten bucks taxi fare, Bee.  Ten!  That’s coming out of your housekeeping.  Now get outta my goddamn sight.’

There wasn’t much point prolonging the discussion, so I went back to the kitchen.  He’d drink himself to sleep in his La-Z-Boy soon enough, and I could catch up on my thinking.  The pup had bucked up a bit when I asked if he’d like an ice-cream float from the soda fountain.  We sat on opposite sides of a booth while he sucked it down.  She’d had a chance to fix her make-up, and her cheeks were a bit less shiny.

‘So what brings you down here?’

‘Well, my husband, you know – Claude – he felt the feeding grounds weren’t so great this year, and he’d heard you had nice clams in this part of the world, and so – well, that’s it, really.’  She dipped her head as this little speech went on.  Clams, my ass.

‘So it was his idea?’

She didn’t answer.  Little Edward came up for air with a rather satisfying belch.  She smiled, some missing light making it back into her eyes.  They were huge, pitch black.  I’d have killed for those lashes.

‘Look,’ I said, ‘this might be out of line, but we have a book group in town and you might like to come along, you know – get to know the ladies.’  I wrote down place and time for her on a napkin, not expecting her to show, but next week there she was, Edward in tow, wearing a pink jumper with a little enamel maple-leaf high up near the collar.

‘Come on in.’

I’d got Margie to bring out the biggest couch we had, but winced as she settled in amongst a battery of creaks.  It held, and she smiled around at the ladies as I introduced them.  We were discussing The Old Man and the Sea, and though she didn’t say much, I thought she might have some thoughts on that subject.  I stayed behind a bit, collecting glasses, then took her aside.

‘Glad you came.’

‘Thanks.  I enjoyed meeting your friends.’

I noticed she had a dark patch under one eye, and was holding her left flipper down by her side.

‘You know, there are rules about that kind of thing, nowadays.  They’re even enforced occasionally.’

She looked away, making an ineffectual effort to tidy away the bowls with her good flipper.  I reached over and turned her face back to mine.  It was warm, quivering, and had a curious stiff-bristle feeling along with the heat.

‘Do you want me to help?’

She shook her head.

‘I can’t.  Claude – ’

‘Oh fuck Claude, honey.  This is your life.  And his.’  Edward was chasing Margie’s dog ball through a patch of sunlight.  The floorboards groaned as he leapt and landed.  ‘Listen, you don’t need to do anything.  But let me know where I can reach you.’

She handed me her card and sniffed.

‘Edward,’ she said.  ‘We need to go now.’

As they went out she tried to stop herself looking back, but couldn’t.

*

I saw her now and again over the next few weeks: at the grocery store, the beauty parlour, one time lying in the shadow of the harbour bandstand watching her pup slipping in and out of the water.  I was kind of busy myself, so didn’t stop.  But I thought about her often.  In the end, it came in a phone call.  The timing couldn’t have been better.

‘Bonnie?’

The voice was small, hesitant, but I knew it was her.

‘Lily?  Where are you?’

‘By the harbour.  Edward’s holding the receiver so I can talk.’

There was a moment of confusion and she went away.  The sound of plastic clunking on metal, a series of urgent grunts.  Then she was back.  ‘I’m sorry, he dropped the thing, and – Bonnie?’

‘I’m here.’

‘Can you help us?’

I took a moment myself, taking inventory, and concluded what I’d managed to gather up to then would have to do.

‘Lily, listen – get to the bandstand, right now.  You know where I mean?’

‘How will I – ?’

‘Just be there.’

Twenty minutes later I pulled up in a U-Haul, the biggest truck they had.  I’d squeezed everything that mattered into the space above the cab – look at that, twenty years – and let down the ramp in the shadow of the bandstand.  Two sets of noses and tusks poked out.  I heard a small, timid grunt.

‘Hi,’ I said.  ‘Need a ride?’





I, Too, Am Cone

I HADN’T RETURNED to the Island in years, but when she called from beside the harbour, it all came back: strip-malls petering out into scrubland, roads without pavements, bottomless coffee and bagels piled high with green-olive cream cheese.  I heard boat-lines clinking, a plaintive gull’s call, and smiled.

‘Hello,’ she said.  ‘This is your wife.’

I looked at the phone.  I’m not in the habit of taking calls from that many consumer-protection lawyers with funny accents, especially ones who regard themselves as the lone American in a sea of sixty-seven million foreigners, so I waited.  ‘I’m by the harbour.  He’s – he’s gone, Michael.  I had to get out, take a walk, you know.  So I’m just wandering around.’

It was sad, but not unexpected.  Her father had been ailing for years, slipping away for weeks and at death’s door the day she flew back.  She wasn’t cold, exactly, but practical: a bundle of intertwined instincts from which a personality peeped, occasionally, like a seal breaking the surface.  Then she could be funny.  On our first date she dragged me half the length of Manhattan, repeatedly claiming it was only another block to the station.  A block is knocking on for a thousand feet.

‘Anna – I’m sorry.  What can I do?’

‘Nothing.  Just call later.  Broadband’s still on.  I’ll talk to you then.’  I went back to my screen with a hollow heart.  A bit of work might sort it out,  but this time the magic of transport planning failed to do the trick.

When I got to America, I could hardly wait to engage with my peers at the University of Bony Creek.  I’d studied the rise of suburbia – Levittown, the ubiquity of car culture – and rather than adding to some stack of dusty monographs, wanted to do something about it.  Missing pavements, for starters.  Instead I was met with five years’ worth of blank stares.

Still, there was Anna.  On our second date I took her to the graduate dorm.  She stood goggling at the squalor.  One of the math-nerds in the suite had punched a hole through the sheet-rock wall, taped up the Taj Mahal in fond hopes of avoiding a thousand-dollar fine.

How much does this cost you?’

A week later, we’d pooled our resources and moved to Huntington.

Now I imagined her up the road in Northport, where her dad had lived, picking up cleaning supplies and calling her sister.  None of it made things any better.

I walked over to the traffic department.  We’d been working on metered access to a new roundabout by the distribution centre, and Tommy was at the controls for this evening’s night-coning festivities.

‘Hey,’ I said, ogling his bank of screens.  ‘All good to go?’

Without turning round he curled a finger around the joystick, clicked a button.  Every monitor wheeled round into a single giant image of the unfinished roundabout, now the sole focus of Tommy’s massive compound eye.  Though littered with breeze-blocks and chunks of discarded kerbing, it still looked magnificent – clean as some undiscovered island laid bare by a storm.

‘Course.  Unlike you blueprint-monkeys, we work for a living.’

Tommy liked to affect a gruff exterior, but at heart he was a marshmallow – taking his mother to the theatre, baking his flatmates little cakes.

‘So what can I do you for?’

‘Oh nothing, really.  The old man finally slipped away.’

He grimaced and I filled him in.

‘Wanting cheering up, is she?’  I nodded.  ‘Hmm.  Well, keep an ear out.’

The office would be quiet now, so without understanding what he was on about, I headed back.   A couple of hours later she called.  All the earlier hesitation was gone; her voice leapt out of the phone like a tiger bounding through a fiery hoop.

‘So, I finished the family room, started on the den.  That’s the office you know.  Daddy kept his things there, my mom’s stuff.  Clippings.  Evidence.’

I pricked up my ears.  She was on the case, and either furious or thrilled; I’d no idea which.

‘Go on.’

‘So I was looking for the deeds to the house, but I found something else.  An old folder.  It was furry, you know, like somebody had been constantly touching it.  It was bound up in about a million rubber bands that fell apart when I touched them.  Inside – ’

At that moment the incoming call button flashed and my monitor sprang to life.  When I didn’t pick up, an instant message popped into view: Open the link, you cretin.  I clicked on the portal that allowed users with passwords to access our live video-feed.  I watched Tommy’s crew carve the closed roundabout like skaters riding a wall.  They were building something with two rounded top-bumps, a bottom point of orange cones.  The luminous bands shone like teeth in the dark.  How’s that for cheery! a second message said.

‘ – there were newspapers, from the family.  My mother’s father was in there, and not Charles, like we were told.  Not Samuel Charles Goodman.  Samuel Cohen Goodman.  We’re Jewish, Michael.  Jewish!

The shape finally revealed itself on my screen: an enormous, wobbly love heart, light dripping from its curves.  She hated lovehearts and everything they stood for.  I typed furiously into the messenger: Not that!  Anything but that!  Get it changed to something round – a bagel, or something!

‘Remember that guy in the joke who meets the other old guys playing chess, and they all introduce themselves, like Cahn, Coyne, Kane, you know, and the guy bows and says “I, too, am Cohen!”’

She seemed delighted and stunned in equal measure.  I didn’t want to interrupt the moment but felt I had to offer something – some tiny bit of reassurance, a portion of love to complete the circle.  Without waiting to see what they managed to make, I fired off an e-mail with a password, an embedded link.

‘That’s great, Anna!  Listen, can you get to the computer?  I’ve sent you a message – ’










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